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The Mad Scramble
A conversation with Carson Ting of Chairman Ting Studio on art, movement, and finding rhythm in the chaos.
Interview by: Michael Bercasio
Some people are built for the long run. You hear it in how they talk. See it in how they move. Feel it in the way they find rhythm, even when everything around them gets messy.
Carson Ting's been showing up for a minute. From early days in Toronto agencies to murals, collabs, and campaigns across Vancouver, Hong Kong, and beyond, he's spent years moving between worlds. Advertising. Street art. Brand design. Storytelling. Not chasing trends. Building his own lane, piece by piece.
Today he runs Chairman Ting Studio, where the work moves different. It's playful. It's intricate. It's a little chaotic in all the right ways. His fingerprints are on projects for Nike, OFF-WHITE, the NBA, Porsche, and more. But not just logos slapped on walls. His work moves like life does. It's messy, colourful, impossible to ignore. Stories you don't just see, you feel.
That same energy shows up in Billion Buns too, his playful universe of characters that's still growing through murals, merch, and collabs.
His latest piece for RunAsYouAre, Mad Scramble, comes from that same place. The way life feels when you're deep in it. When you're moving fast, figuring it out as you go, but still finding a way to cross the line.
For the Long Run isn't just a campaign celebrating the Vancouver Marathon. It's a reminder of what it really takes to keep moving, and Carson's been living that way long before we ever put it into words.
We caught up with him to talk about where he's been, what keeps him moving, and how this project hits a little closer to home than most.
For people who don't know you, who are you and what kind of work do you do?
My name is Carson Ting. I'm a visual artist based here in Vancouver. I am also the owner of Chairman Ting, an art and design studio and the founder of the brand Billion Buns. I create art that is fun, whimsical and oftentimes a bit chaotic and sometimes intricate and detailed.
You've worked in ad agencies, on brand campaigns, and your own art and design studio, Chairman Ting. How would you describe your creative path?
I'd say it's been a bit of a full-circle path. As a kid, I wanted to become an illustrator and artist, but after entering the Communications and Design program at OCAD, also known as the Ontario College of Art and Design in Toronto, I immediately fell in love with advertising. At the time, I had never experienced that level of passion. But after spending almost two decades as an art director in ad agencies all over Canada and the US, I found myself longing for more artistic freedom through illustration and art. So here I am, back to square one, embracing a purer form of creativity.
When did you start thinking of yourself as an artist, and what made you feel like you had really stepped into that?
Ever since I can remember picking up a pencil and drawing, I knew I wanted to do this for life. I remember my dad showing me how to draw Tarzan when I was a kid. It truly blew my mind. But to think of myself as an artist? That's a really good question. For almost two decades, I mainly identified as an art director and designer. I'd say it wasn't until I painted my first mural back in 2009 that I really started to think of myself as an artist. In short, 2009, when I started using Chairman Ting as my handle, was when I felt like I truly stepped into this (artist) role.
Our Vancouver Marathon campaign is called For the Long Run. What does that idea mean to you, in your work or just in life in general?
Funny enough, although I don't normally use the exact phrase "for the long run," I've always embraced the concept. For two decades now, my mentor and ex-boss Glen Hunt, back when I was living in Toronto, taught me that life is a marathon, not a sprint. So I'm always in it for the long haul, building and creating at my own cadence.
“Life is a marathon, not a sprint. So I'm always in it for the long haul, building and creating at my own cadence.”
Tell us a bit about the thinking behind the artwork. What inspired it?
Yeah, so the artwork is called Mad Scramble, and it was inspired by my own personal marathon experience. I've done two full marathons in the past, and both were a mad scramble. I remember being the dumbass that I am (laughs), signing up for my first full marathon back in 2008 just weeks before the race, which was pretty stupid. I did horrible. My friends thought I was crazy, but I did it anyway. It was a mad scramble. So there you have it.
You've mentioned that walking helps you think. Why do you think moving around changes the way ideas come to you?
Yeah, I really find it hard to think creatively when I'm stationary. I believe that by walking around or changing your environment, you're allowing your mind to open up. Your body's pumping, blood is circulating, and I think it really helps your brain work more efficiently. It also allows you to interact with the world around you. Inherently, I think that's how you come up with really good ideas, just by moving around and keeping your mind active.
“I think that's how you come up with really good ideas, just by moving around and keeping your mind active.”
People have called your art “chaotic joy.” What does that mean to you, and do you think it shows up in this piece?
Yes, people have often described my work as "chaotic joy" and I love it. I love creating artwork that allows my audience to truly immerse themselves in it, even if it's just for a brief moment, to get lost in the work. I consider that a win. There's definitely an element of chaotic joy in this piece called Mad Scramble, as I'm literally depicting a runner in a chaotic state, scrambling and trying to finish their race.
When you're balancing client work and personal projects, how do you stay grounded and keep going?
I'd say Google Calendar. I'm always carving out schedules for myself by time-blocking my day into one- to two-hour intervals per project, whether it's client work or personal work. But the sad truth is, client work almost always gets first priority because it is more time-sensitive, while personal work gets pushed to the back burner. But fun, creative work always keeps me going. Otherwise, what's the whole point of this, right?
What's something that's helped you stay creative or keep showing up over the years?
Honestly, it's just the act of creating, the passion for creativity. I just love creating, whether it's a doodle on a napkin, an iPhone photo, a painting, or a big-ass mural. Just being able to create something new, something completely unknown at the start, is what really excites me. Because you never know who will see the piece or what kind of impact it will have on the audience.
This project came together between a Vancouver run brand and an artist who has made Vancouver his home. What does it mean to put something out into the city that's shaped so much of your work and life?
Oh, this is a huge soft spot for me. Just being able to be part of my community and contribute through my art, that's all that matters. It's a huge win for me.
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Shop the Carson Ting x RunAsYouAre Collection
Sold OutUnofficial Marathon Tee - UnisexUnofficial Marathon Tee - Unisex alternate view
Unofficial Marathon Tee - Unisex
RunAsYouAre
$60.00 CAD
Sold OutUnofficial Marathon Tee - UnisexUnofficial Marathon Tee - Unisex alternate view
Unofficial Marathon Tee - Unisex
RunAsYouAre
$60.00 CAD